Michael Moore
CGI Retouching, Los Angeles California United States
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Contact details
Tel: 805 795-0410
Brief Summary
- Team Player
- Communication
- Understanding Client Needs
- Meeting Deadlines
- Making A Tight Budget Work


COMMUNICATION: From the beginning it's about you. We listen, ask questions and create a strategy that best fits your vision. Wether it's planning a massive photo shoot or concepting an intricate CGi project. We excel at communication and orchestrating with you, the client. Michael Moore (owner/image maker) spearheads the creative process from the first meeting to the project's finish.
Every step of the way we provide visuals, infuse creative energy, ask questions and listen to feedback. The results are picture perfect.

TIMELINE: During the bidding process we create a timeline based off creative conversations and financial considerations. Once the job has been awarded we will conference and create a final timeline strategy. This will incorporate connecting, testing, deadlines, internal reviews, client samples, adjustments, signoffs and final product delivery.

CGi + Photography: I have over 15 years of photographic experience in advertising and editorial photography. From travel and landscape assignments to high-end advertising jobs I put the same passion and enthusiasm into every assignment.

Great CGi is a team effort. It's a combination of photographic experience, skilled CGi technicians and creative collaboration with you, the client.

Most importantly we like to have fun while creating great images. And we like our clients to have fun and enjoy the process as well!

Acura, Designory, Honda, KTM, Lexus, Saatchi & Saatchi, Team One, VW, Boone-Oakley, Feld Entertainment Group, Jagermeister, LA Marathon, Nissan, Subaru, Toyota, Y&R, Burrell Communications, Ford, Latcha & Assoc., Jimmy Dean, Leo Burnett, RPA, TBWA/ Chiat-Day, USFMX, Hiebing, Cramer-Krasselt
Professional Experience
In the beginning:  Jim Hall Racing.  Instructor, Racer 
College:  Ventura Community College AA: arts/biology
College II:  Brooks Institute of Photography
Job #2:  Master Printer for Horace Bristol Collection.  Supervised by John Nichols Gallery.
Job #3:  Curator of Exhibitions.  Brooks Institute of Photography
Job #4:  Self-employed image maker. 

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